Beaver & Krause - The Nonesuch Guide To Electronic Music (2xLP + Box)

Electronic, Non-Music (1968) Very Good (VG) [M1]

Media Condition: Very Good (VG)
Sleeve Condition: Generic

Disc Two Only! Generic cover.
 

A1. I. Peace Three 3:08
. II. Signal Generators
. A. Sine Waveform
A2a. 1. Slow-Motion Audible Example 0:05
A2b. 2. Composition 0:50
A2c. 3. Harmonic Synthesis 0:33
A2d. 4. Non-Harmonic Synthesis 0:37
. B. Sawtooth Waveform
A3a. 1. Slow-Motion (Negative- And Positive-Going) 0:12
A3b. 2. Composition 0:34
. C. Rectangular Waveform
A4a. 1. Slow-Motion Audible Example (1/8-1/2) 0:28
A4b. 2. Composition (Using 1/8, 1/7, 1/3, 1/2) 0:35
. D. Triangular Waveform
A5a. 1. Slow-Motion Audible Example 0:05
A5b. 2. Composition 0:20
. -
A6. E. White Sound Composition 0:13
. III. Control Generators
A7a. A. Transient Generator, Amplitude, Frequency And Timbre Modulating In Slow-Motion 0:08
A7b. B. Sequential Voltage Sources. Composition 1:55
. IV. Frequency Modulation
. A. Keyboard Control
B1a. 1. 12-Tone 0:32
B1b. 2. Quarter-Tone (One Real Octave = 2 Keyboard Octaves) 0:40
B1c. 3. Ditone (Four Real Octaves Played In Keyboard Range Of One Octave) 0:31
B1d. 4. Portamento 0:23
. -
B2. B. Ribbon Control 0:30
. C. Periodic
B3a. 1. Vibrato Ⓢ (Speed Increases As Pitch rises) 0:28
B3b. 2. Sine-Higher Frequency 0:27
B3c. 3. Sawtooth-Swept 0:38
B3d. 4. Rectangular 1/2-Swept L2 0:32
B3e. 5. Triangular-Swept 0:31
. D. Periodics Combined
B4a. 1. 3 Square Waves At Different Frequencies 0:28
B4b. 2. 3 Triangular Waves At Different Frequencies 0:37
B4c. 4 Different Waveforms 2L 2N 2V 2S At Different Frequencies 0:46
. -
B5. E. White Sound 0:12
. F. Transient
B6a. 1. Up An Octave, Back To Pitch 0:17
B6b. 2. Up A 3rd, Back To Pitch 0:07
B6c. 3. Down An Octave, Back To Pitch 0:09
B6d. 4. Down A 3rd, Back To Pitch 0:13
. V. Amplitude Modulation
C1. A. Keyboard 0:13
C2. B. Ribbon Controller 0:10
. C. Periodic
C3a. 1. Tremolo 0:25
C3b. 2. Sine-Higher Frequencies (S Sweeping S) 0:47
C3c. 3. Sawtooth (Negative- And Positive-Going Swept) 1:20
C3d. 4. Rectangular-L2 Swept 0:28
C3e. 5. Triangular-Swept 0:50
. D. Periodics Combined
C4a. 1. 4 Square 0:44
C4b. 2. 3 Triangular 0:23
C4c. 3. 4 Different Ⓢ, Ⓝ, 2L, Ⓥ 0:23
. -
C5. E. White Sound 0:38
. F. Transient
C6a. 1. Slow 0:08
C6b. 2. With Rising Pitch 0:15
C6c. 3. ∧∧∧∧∧ 0:14
. VI. Ring Modulation
. A. Sine Waves
C7a. 1. Series Of Sub-Audible Constants 2:00
C7b. 2. Tune In Parallel 0:40
C7c. 3. Tuned In Opposite Direction 0:30
. -
C8. B. Sawtooth 0:33
C9. C. Rectangular L2 0:39
. VII. Filtering
D1. A. White Sound - With Fixed Filters Selected 3rd Octave 0:25
. B. White-Sound-Tuned Filters
D2a. 1. Broad 0:43
D2b. 2. Sharp 0:25
. -
D3. C. Low-Frequency Sawtooth-Tuning Through Harmonics 1:05
D4. D. Composition-Tuning Through 2nd, 3rd, 7th And 16th Harmonics 0:50
D5. E. Swept With Ribbon Controller 0:40
. F. Periodic
D6a. 1. Sine-Timbre Vibrato Effect 0:25
D6b. 2. Sine-Variable Rate And Depth 0:36
D6c. 3. Sawtooth (Descending And Ascending) 0:50
D6d. 4. Rectangular
. G. Transient (Sawtooth With Transient Controlled Filter)
D7a. 1. ----------------- 0:12
D7b. 2. ----------------- 0:10
D7c. 3. ------------------ 0:09
D7d. 4. ------------------ 0:08
. VIII. Tape Delay
D8. A. Single Repeat 0:13
D9. B. Multiple Repeat 2:55
. -
D10. IX. Peace Three (Recap) 3:08